Thursday, February 12, 2004
been reading a collection o' russell's essays for sometime now. the main essay is his very famous "why i'm not a christian". he's an athiest & the way he attcks the church & religion in general is superb. reasoning is what he believes in & its shows in every line of his writing. think among philosophers, he is more simple 2 unnerstand.
she being Brand
-new;and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
oh and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice,good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a:dead.
stand-
;Still)
-- ee cummings
its a wide known habit o' comparing an automobile/bike 2 a woman. the poem above is one such example. (there was much furore over a bike advt on our TV sometime ago when the bike & the female body were compared & think the ad was eventually removed)
and a more xplicit one from cummings here
"may i feel said he"
may i feel said he
(i'll squeal said she
just once said he)
it's fun said she
(may i touch said he
how much said she
a lot said he)
why not said she
(let's go said he
not too far said she
what's too far said he
where you are said she)
may i stay said he
(which way said she
like this said he
if you kiss said she
may i move said he
is it love said she)
if you're willing said he
(but you're killing said she
but it's life said he
but your wife said she
now said he)
ow said she
(tiptop said he
don't stop said she
oh no said he)
go slow said she
(cccome?said he
ummm said she)
you're divine!said he
(you are Mine said she)
-- ee cummings
about the poet:
Edward Estlin Cummings was born in Cambridge, Massachusetts, in 1894. He received his B.A. in 1915 and his M.A. in 1916, both from Harvard. During the First World War, Cummings worked as an ambulance driver in France, but was interned in a prison camp by the French authorities (an experience recounted in his novel, The Enormous Room) for his outspoken anti-war convictions. After the war, he settled into a life divided between houses in rural Connecticut and Greenwich Village, with frequent visits to Paris.
In his work, Cummings experimented radically with form, punctuation, spelling and syntax, abandoning traditional techniques and structures to create a new, highly idiosyncratic means of poetic expression. Later in his career, he was often criticized for settling into his signature style and not pressing his work towards further evolution. Nevertheless, he attained great popularity, especially among young readers, for the simplicity of his language, his playful mode and his attention to subjects such as war and sex. At the time of his death in 1962, he was the second most widely read poet in the United States, after Robert Frost.
(bio from www.americanpoets.com)
-new;and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
oh and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice,good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a:dead.
stand-
;Still)
-- ee cummings
its a wide known habit o' comparing an automobile/bike 2 a woman. the poem above is one such example. (there was much furore over a bike advt on our TV sometime ago when the bike & the female body were compared & think the ad was eventually removed)
and a more xplicit one from cummings here
"may i feel said he"
may i feel said he
(i'll squeal said she
just once said he)
it's fun said she
(may i touch said he
how much said she
a lot said he)
why not said she
(let's go said he
not too far said she
what's too far said he
where you are said she)
may i stay said he
(which way said she
like this said he
if you kiss said she
may i move said he
is it love said she)
if you're willing said he
(but you're killing said she
but it's life said he
but your wife said she
now said he)
ow said she
(tiptop said he
don't stop said she
oh no said he)
go slow said she
(cccome?said he
ummm said she)
you're divine!said he
(you are Mine said she)
-- ee cummings
about the poet:
Edward Estlin Cummings was born in Cambridge, Massachusetts, in 1894. He received his B.A. in 1915 and his M.A. in 1916, both from Harvard. During the First World War, Cummings worked as an ambulance driver in France, but was interned in a prison camp by the French authorities (an experience recounted in his novel, The Enormous Room) for his outspoken anti-war convictions. After the war, he settled into a life divided between houses in rural Connecticut and Greenwich Village, with frequent visits to Paris.
In his work, Cummings experimented radically with form, punctuation, spelling and syntax, abandoning traditional techniques and structures to create a new, highly idiosyncratic means of poetic expression. Later in his career, he was often criticized for settling into his signature style and not pressing his work towards further evolution. Nevertheless, he attained great popularity, especially among young readers, for the simplicity of his language, his playful mode and his attention to subjects such as war and sex. At the time of his death in 1962, he was the second most widely read poet in the United States, after Robert Frost.
(bio from www.americanpoets.com)